IAFD x OCW - Emancipation awards 2026
For the fifth time, the Interior Architecture and Furniture Design department at the Royal Academy of Art The Hague has collaborated with the Dutch Ministry of Education, Culture and Science (OCW) for the design of the emancipation award, the Jos Brink Prijs 2026 (for LGBTQIA+ equality). The awards offer visibility for the often-unrecognised activist work done by individuals or collectives towards the emancipation of Dutch society.
Jos Brink Award 2026 and Six Honorary Statements
Over the years, the Jos Brink Prize has been awarded to individuals whose significant contributions, hard work and courage actively help to make our society a safe place for the LGBTQIA+ community. Inspired by the aims of this prize, we — design students at the Royal Academy of Art in The Hague (KABK) — have chosen to embrace what lies at the heart of this vision: the solidarity that exists among us. It is not sameness that binds us, but our willingness to be responsive, engaged and caring for one another. In doing so, we can build a society in which everyone can find both space and agency to express themselves safely, freely and without judgment.
The creation process of the main award and the honorary statements became a tribute to the community, reflected both in the way we worked together and in the design itself. We perceive community as a non-hierarchical and rhizomatic structure, therefore, we wanted to pursue the same approach in our design methodology. By looking at materials, not as merely the subjects of the design, but as active participants, we have decided on the materials and methods that allow this horizontal process. Thus, we hope that the award and the honorary statements will serve as a lasting reminder of the appreciation and support that come from the collective effort.
“There cannot be an aluminium cast without the mould. There cannot be an individual without the collective, and there cannot be a collective without the individual.”
“Everything comes back to the community and to the power of the collective. In the design, it’s important to look at what we did and how. For example, when we walked on to the streets of The Hague and talked with people, the act itself was more important than the aesthetic design decision. This award is a piece that we shaped together, from the bottom up. If someone wouldn’t have given a hand, something wouldn’t have happened — all these individual contributions are like pieces of sand building a shore.”
Letter for the Jos Brink Prize Winner and Nominees

“The biggest argument behind our design decisions is coming back to the community. Whatever it is, struggle or something else, it always starts with the community. The power of the award and the honorary statements is that one would be impossible without the other. It’s not that we wanted to reduce the importance of the main award, but rather to show that with support, through collectivity and solidarity, it becomes possible to achieve big things together. And that is also how we worked. The power of the award and the honorary statements lies in the process, materials, and in the craft of casting. Many factors need to come together to make it happen.”
The Six Honorary Statements
As a regenerative alternative to a bouquet of flowers, we chose to honour the nominees with six art statements. Each piece is designed as delicate jewellery that can be showcased as an art object. Together, they form a family of shapes with each piece similar to another in size, weight, shape, and material language, while also maintaining their distinct identity through a unique keyword that guided their design. The six themes represented in honorary statements are empathy, collectivity, infinity, fluidity, embrace and freedom. In The Hague, passers-by contributed by creating abstract drawings that interpreted the six themes. Subsequently, these drawings were shaped in sand and cast with aluminium.




Jos Brink Prize Publication
Reality Check, Year 2
The assignment was embedded in the IAFD2 course Reality Check, under guidance of Nienke Sybrandy and Victoria Meniakina.
In this course, the second-year students work with a client and their assignment; collectively challenging the heteronormativity of knowledge, time and identity; imagine and propose other worlds that come from respect, empathy, and coexistence; and emphasize relationality and regenerative thinking in the research and design process.
Credits / thanks to
Credits / thanks to
This project is part of an ongoing collaboration between the Interior Architecture & Furniture Design / IAFD Cohabitation department at the Royal Academy of Art in The Hague (KABK) and the Dutch Ministry of Education, Culture and Science (OCW), marking the fifth edition of this partnership.
Equality Department of the Dutch Ministry of Education, Culture and Science (OCW)
Rianne Letschert, Minister of Education, Culture and Science
Esther van Dijk, Director Gender & LGBTQIA+ equality
Nancy de Klerk
Yuri de Boer
Zitah Uchime
Royal Academy of Art (KABK), The Hague
Mariska Beljon
Herman Verkerk
Participating Students
Diya Aggarwal
My Björkendahl
Lani Boogaard
Joris Bosland
Iveta Būtènaitè
Inez Chmura
Dia-Bedel Divecha-Bokassa
Kjartan Tindur Gunnarsson
Ann-Kathrin Hehl
Femke Huberts
Julius Ianella
Elena Kannenberg
Ji-wun Kim
David Korn
Yeraz Kortun
Kinga Kulpa
Naeun Kwon
Dongseok Oh
Tianyi Pang
Menyhért Prágai
Līva Sakārne
Carel Schipper
Mina Stojaković
Julia Supryn
Zofia Wójcik
Artis Wouters
Course Teachers
Nienke Sybrandy
Victoria Meniakina
Workshop Guidance
Luis Maly
Awards & Honorary Statements Packaging
Guido van der Linden
Photography
Michał Betta
Jeannette Slütter / temet.studio
Video
Peter Pflügler
Printing and Binding Publication
Gabriël Nobels
Books Factory