Graduates of INSIDE and Master Industrial Design at Dutch Design Week

15 September 2025

Find KABK at Dutch Design Week 2025 in Eindhoven, taking place from 18 to 26 October. DDW is all about shaping the future of design — and that means there is always room for new talent to showcase their vision. In the lead-up to DDW 2025, we invited our participating graduates from the Master Interior Architecture and Master Industrial Design programmes to share more about their projects.

The graduates are participating in the 'Class of 25' exhibition. This is a group exhibition presenting (graduation) projects from various Dutch and international academies. The exhibition's goal is to emphasise the importance of education and to give the next generation of designers centre stage to a bigger audience.

Location: Strijp-S area, Klokgebouw | Hall 2, Klokgebouw 50
Participating graduates
: Lucy Vink, Misia Zesławska, Moritz Plöns and Anđela Zora Brnas

Lucy Vink (Master Industrial Design, 2025) - Deadstock, the Ghosts of Our Clothes

The project Deadstock, the ghosts of our clothes explores the waste created by the second-hand clothing industry, looking at discarded garments not as waste, but as materials full of narrative and potential.

As we wear clothes, we leave traces of ourselves on them, signs of use that often make them unsuitable for a second life. While the second-hand industry gives many garments a new home, others are considered unfit for reuse. Textile recycling is still rare, so much of this material ends up as waste.

Through making, this project explores ways to give new purpose to obsolete garments. By keeping traces of their previous lives visible—through elements of their original form or function—their history is preserved rather than erased through transformation.

For this project, Lucy collaborated with the Cirtex sorting center and worked with their waste streams. She did also provided industrially shredded clothing. From these materials, Lucy created a chair, a room divider, and a collection of stuffed animals—each telling a different story about the waste produced in the second-hand clothing industry.

Deadstock, the Ghosts of Our Clothes, graduation work 2025 by Lucy Vink
Deadstock, the Ghosts of Our Clothes, graduation work 2025 by Lucy Vink. Photo: Sabine van de Korput

Moritz Plöns (Master Industrial Design, 2025) - Greenhousing Saprophytes

“Greenhousing Saprophytes” by Moritz Plöns explores the tension between using organisms for human purposes and acknowledging non-human perspectives. Investigating microbial relationships and the ethical dimensions they have on biodesign habits, the project envisions a design practice that employs micro-organisms while valuing their agency. By working with Pure Mycelium Material, cultivated, harvested, and reintroduced to its habitat, the reciprocity between human design and fungal life examined.

Greenhousing Saprophytes, graduation work 2025 by Moritz Plöns
Greenhousing Saprophytes, graduation work 2025 by Moritz Plöns

Michalina Zesławska (Master Interior Architecture) - Welcome to my room <3 (˶ᵔ ᵕ ᵔ˶) [329 tokens left]

“Welcome to my room <3 (˶ᵔ ᵕ ᵔ˶) [329 tokens left]” by Misia Zesławska delves into the practice of webcam modelling, touching upon its spatial manifestations and poetics of improvised, DIY visual language of lust. Conditioned by constant technological growth and precarious economies, camrooms serve as remote stages for erotic, transactional performances, where their decor reveals a contemporary realm of digital intimacy - sensual yet deprived of tangible presence.

Welcome to my room <3 (˶ᵔ ᵕ ᵔ˶) [329 tokens left], graduation work 2025 by Michalina Zesławska.
Welcome to my room <3 (˶ᵔ ᵕ ᵔ˶) [329 tokens left], graduation work 2025 by Michalina Zesławska.

Anđela Zora Brnas (Master Interior Architecture, 2025) - Crafting Interspecies Care

“Crafting Interspecies Care” by Anđela Zora Brnas is a spatial design pedagogy guided by Willow Wisdom. The project is reimagining spatial design as a living and nurturing multispecies practice, while critically challenging and "composting" dominant anthropocentric hierarchies. Through seasonal, embodied and reflective workshops the participants are sensing, learning and co-crafting with(in) willow ecosystem in reflective spirals, re-weaving themselves into their roles as caretakers of the broader ecologies they belong to.

Crafting Interspecies Care, graduation work 2025 by Anđela Zora Brnas
Crafting Interspecies Care, graduation work 2025 by Anđela Zora Brnas