Terugblik op een jaar Master Photography & Society
3 juli 2019
In September 2018,
In this article, we provide you with an overview of the various experiments, challenges and inquiries our new Master Photography & Society has been up to, over the course of its first year of existence.
Studio I: The Liquid Image
6 Weeks, Semester One, led by Shailoh Phillips and Adam Broomberg
Studio I has been a crash course introduction into the contemporary landscape of photography. To get into the habit of reading and making, each of the six weeks comprised of a manageable amount of reading together with a practical task.
False Positives
In this collective publication, produced right after concluding Studio I, students explored the field of tension between what photography claims to be able to do, and the many ways in which it fails to live up to these expectations.
Network Week
During the first week of November 2018, the students of Photography & Society were able to make multiple visits into the professional field in The Netherlands. With a combined 80 different possible studio-visits, students picked several and, together with our BA Photography students, gained valuable insight into the working life of various photographers, such as Vivane Sassen, Jaap Scheeren, Sjoerd Knibbeler, and many others. During the Professional Friday, portfolio-reviews were conducted with over 20 professionals who visited the academy, offering critique and feedback into the students’ works.
Studio II: Photography as Social Practice
6 Weeks, Semester One, led by Andrea Stultiens
Given the position photographers have, in Photography & Society we find it important to think through our own role as an image-maker in relation to the roles we allow other people to have. The process of making, and the ambiguous assignment ‘to be social’ turned out to trigger many more insights.
Studio III: Platforms of Visual Resistance
12 Weeks, Semester Two, led by Henk Wildschut and Oliver Chanarin
With the working-class suburb Duindorp in The Hague as a starting point, students were encouraged to engage with the citizens of the neighborhood as audience for their work. In the bumpy ride this studio offered, we have made the following discoveries:
- Empathy is overrated, but action is not.
- You are the first audience of your own work, and that work needs to be public.
- We are not solving a problem, we are expressing an attitude.
Studio IV:Graduation Ecologies
4 Weeks, Semester Two, led by Alice Twemlow and Judith van IJken
In anticipation of next years’ Masters project, we took time to have each student map out the contours of a research territory. Alice’s class focused on how to identify a research topic that is urgent, timely and personal, and guided students in the refining of their research questions, methods and theoretical concepts. Judith's class cantered on the photographic practice, focussing on working methods and the structure and documentation of the artistic process.
Flows: The Ugly – Aesthetics and Politics of Taste in Photography
Year long, Semesters One and Two, led by Ali Shobeiri
We examined why the ugly is continually preserved, represented, and endorsed in current photographic practices. This culminated in a series of photographic projects that critically engaged with the ugly, thus showing its transgressive and subversive potentials in contemporary photographic discourses.
Theory: Ethics and Aesthetics of Existence and Research: Reading, Writing, Research
Year long, Semesters One and Two, led by Thomas Bragdon and Shailoh Phillips
How to conceive of photographic practice as a societal practice?
When the act of making photos is central, but also the building of networks in communities outside of the art world, organizing participative projects, providing narrative contexts for imagery, and positioning in debates in the discourse of photography is crucial.
Students discussed, read and wrote about societal topics such as photography and (non-)citizenship, digital imagery and robotics, and socially participative art forms. We developed research methodologies, wrote research proposals and practiced writing skills in various writing styles.
Throughout the year, we programmed a wide range of workshops covering everything from technical skills to week-long, intensive sessions with renowned practitioners. The workshop program affords student to seek and expand upon knowledge from across the academy and fosters collaborations with other MA programmes and students.
Selection of workshops:
- Alternative forms of storytelling with Carlos Spottorno
- Turning data into narratives with Salvatore Vitale and Misha Bushkov
- Investigating the spatial configurations of The Hague with Hans Venhuizen and Donald Weber, in collaboration with INSIDE (Master of Interior Architecture).
- Social media in the time of post-truth with MidiaNinja
- Guerrilla Tactics and Public Space with Egyption Human Rights defender Omayma and NGO Justice & Peace
- City of (Un) Justice; exploring The Hague with Lodovica Guarnieri
- Craft and technical skills with Eddo Hartmann
- Bookbinding and bookmaking with Sanne Beeren
- Graphic Design with Jeroen Kummer (Kummer & Herrman)
- Post-Production with Sebastiaan Hanekroot (Colour and Books)
- VR/360 and Hacklab introduction
- Grant Writing with Donald Weber
- Do-it-Yourself Storytelling with Rob Hornstra
- Analogue Colour Printing with Peter Swinson (AAP Lab)
Admission Day and Spring Fauna in the Patio
For the next student cohort starting in September 2019, we received well over 100 applications. During our Admission Day, candidates partook in a workshop on collaboration and editing by our current Photography & Society students. The Belgian photographer Max Pinckers made his way to The Hague for a Lunch Lecture. The day was concluded with Spring Fauna in the Patio, hosted by our students, where home-cooked paella was served. For the next academic year, we have invited thirteen students to join the programme: welcome!
Collaboration with FOMU (Photography Museum Antwerp, Belgium)
How can photography function as a tool for environmental change? What is the role of photographs in political debates? Can photography be empowering in difficult social situations?
We team up with FOMU to help them re-launch their photography platform, now to be both a digital resource and a printed magazine published by Fw:Books and FOMU. The completely revised (English!) edition of 2019 will evolve around the topic of IMPACT and will be launched at Paris Photo in November 2019.
Impact talk at Temple Arles Books
Adam Broomberg and Hannah Darabi talk about impact in their practices, moderated by Donald Weber. Wednesday July 3, 15.00-16.00hrs, Temple Arles Books
Upcoming year
In September 2019, we start our second year of Photography & Society. We look forward to see our first cohort of students graduating in June 2020. Other highlights will be a Fall fieldtrip to Warsaw, and a symposium on IMPACT early November 2019. We will keep you updated!
Q&A over de Master Photography & Society met o.a. Broomberg & Chanarin, Donald Weber & Shailoh Phillips: