Manifested as what she calls “white-cube-theater” or “serious satire”, Noa Marthe proposes a radical rethinking of the totalisation of work under neoliberal capitalism. Her performances and installations address (o.a.) the false promise of labour-saving technologies; the body as mystified mining site; devaluation of women’s work; the absurdity of (self)optimisation in professional climates; refusal of work; work as waste; wage-theft and the theatrics of art-world CV-bluffing.

Recent shows and performances include Gaslight at Het Resort, Groningen; Window of Opportunity, Out of Office at Impakt Festival Utrecht; Curriculum Veto at Het Nationale Theater, The Hague; Gossip Prevents Harm at Frappant Galerie, Kultursommer Hamburg; False Colours at Forecast Berlin and Sanity is Something Better Outsourced at Dialogfelder Chemnitz.

Prins teaches design/artistic research and is currently a research-fellow at the Deep Future Lectorate of the Royal Academy of Art The Hague. In 2020 she co-founded Art Goss: A platform for high effort art gossip.