Interaction Models in Sound and Space
by Edwin van der Heide and Joel Ryan
The aim of the course is to develop and judge interactive sound environments. To what extent are common words in music like style, skill, form and development applicable to interactive installations? Can we compare playing an instrument to interacting with an installation?
Credits: 3 EC
Objective: developing aesthetic criteria for interactive installations
Literature: Dick Raaijmakers, A Brief Morphology of Electric Sound, Orpheus Instituut, Gent, 2000
Competencies: A1, A2, A6, B2, C2
Location: KC CAM.30
Number of Classes: 6 classes of 8 hours each
Examination: small assignments, attendance
